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Author: Jonathan Fenn

A screenshot from The Devil's Plan where a hex grid of letters on the left shows a correct answer played and the player on the right with his eyes closed and a look of relief on his face

Wiring Games for Lightbulb Moments – The Power of Realization over Revelation

By Jonathan Fenn • September 24th, 2025

Invoking this feeling doesn’t need to be built up over many hours to work, it can also be distilled to one delightful moment.

A screenshot from Crescent Country featuring a colorful landscape and a road where a witch is riding a broom air bike around lush greenery to deliver a package

Press F to Play “Respect”

By Jonathan Fenn • June 3rd, 2025

These songs also carry with them a wealth of cultural context.

A screenshot from Everything Everything's photoshop slop video with five blue-suited men morphing into old camera technology that feels very odd and uncanny

Skin Like A Waxen Peel: Revisiting Everything Everything’s “Photoshop Handsome” in the age of AI Image Slop

By Jonathan Fenn • February 27th, 2025

A core idea of “Photoshop Handsome” is that impossibly-perfected images can have a significant impact on social psyche.

A screenshot from Red Dead Redemption 2 with a dreamy forest scene except it's dark and streaked with moonlight and the dark is in the center looking dark but majestic

Shadows of Worlds Unto Themselves

By Jonathan Fenn • December 3rd, 2024

A big limitation of videogame ecosystems is their strong focus on predation and conflict.

A screenshot from The Girl with All the Gifts movie, with a young Black girl laying down horizontally in a cot wearing an orange ill fitting suit holding her hands together and contemplating

Who Deserves the Future?

By Jonathan Fenn • October 4th, 2024

Kingdom of the Planet of the Apes highlights the lack of conviction from which post-apocalyptic stories often suffer, in their insistence in constantly refocusing on humanity’s story.

Key art for Final Fantasy VII Rebirth with Aerith in her ponytail and red jacket and white dress kneeling in a small pond surrounded by blue light and water and tree energy

Death, Doubt and Dynasties: The Unlikely Link Between Aerith Gainsborough & Logan Roy

By Jonathan Fenn • June 18th, 2024

Having finished both Succession and Final Fantasy VII Rebirth in the last year, I was struck by a much less expected parallel – between Logan Roy and Aerith Gainsborough.

A screencap from Tears of the Kingdom when the Stable Trotters band is brought back together to sing for a Great Fairy

Getting the Band Back Together: Players Orchestrating Worlds

By Jonathan Fenn • March 13th, 2024

The reason bringing musicians together works so well as a gameplay trope, is that it capitalizes on connection and creativity at its core in a mechanically satisfying, and often narratively significant way.

Screenshot from Cocoon, with a little beetle bug walking down a long stone hallway with stairs leading up to wired battery eggs on either side

Fun in N-dimensions

By Jonathan Fenn • December 1st, 2023

The ever-expanding world of space-twisting puzzlers offer captivating worlds not possible outside of videogames.

a screenshot from Final Fantasy VI, a cutscene showing the planet from space with several explosions and an ominous fault line crack

Final Fantasy, Zelda, and Gradients of Apocalypse

By Jonathan Fenn • May 15th, 2023

The act of actually representing the transition between these peace, conflict, disaster, and rebirth in game is a massive challenge.

Screenshot from the trailer for God of War Ragnarok, where Kratos sits by a fire sharpening a knife, staring pensively towards the viewer, while the shadow of someone looms behind in the snow, half man or half animal, or a boy carrying an animal...

All The World’s A Stage

By Jonathan Fenn • February 8th, 2023

Theatrical allusions don’t need to hit you over the head with high-concept meta-textual narratives in order to be effective.

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