A Muppet Family Christmas
This is a reprint of the TV essay from Issue #93 of Exploits, our collaborative cultural diary in magazine form. If you like what you see, buy it now for $2, or subscribe to never miss an issue (note: Exploits is always free for subscribers of Unwinnable Monthly).
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A Muppet Family Christmas plays like a dream you remember mostly in temperature: warm at the edges, cold in the middle, maybe a little damp in places with melted nostalgia. It doesn’t “begin” so much as materialize – Fozzie’s truck barreling across memory, cottoned snowdrifts like heaped bed sheets, the cast tumbling into a farmhouse pulled from some distant Americana. It’s not your home, but then again it is.
The premise is simple. Fozzie brings the entire Muppet Show troupe to his mother’s farm for Christmas, blissfully unaware she planned to spend the season on a beach far from the cold of an impending blizzard. From the first flurry of arrivals – Kermit trying to keep order, Gonzo embracing the storm with unearned confidence, Miss Piggy swept up in theatrical weather delays that she seems to take personally – the house overflows with clashing personalities and improvised cheer. There’s comedy in the overcrowding and conflict, but also a quiet recognition of the emotional storms that blow in with the holidays.
Jim Henson’s warm world-building gives the special its soul. Characters are crammed shoulder to shoulder not because it’s convenient for the plot, but because it mirrors the way family, chosen or otherwise, actually works. Crowded rooms, overlapping conversations, the gentle tension of wanting everything to be perfect while knowing it never will be. Even the sillier moments, like Fozzie befriending a snowman or the Swedish Chef reaching a philosophical crisis regarding poultry that borders on cosmic horror, carry an undercurrent of longing, a reminder that joy is precious and fleeting.
The arrival of the Sesame Street and Fraggle Rock characters turns the gathering into something almost mythic: a rare confluence of worlds, a literal merging of childhoods. Universes fold inward. Carols erupt spontaneously. It’s overwhelming – your throat tightens unexpectedly. And then Henson himself appears. Brief, spectral, smiling. Not a cameo, a visitation. A reminder that behind all the foam and frenzy is a human pulse, steady and soft. Jim’s gone but he’s here. Always will be.
The credits roll and the dream dissolves like snowflakes on mittens. You’re left with a feeling strange and tender, that you were loved by a roomful of creatures made from felt, joy, and the soft machinery of imagination, if only for an hour.
