Here Be Monsters Letting the Days Go By: The Historical Horrors of Pentiment By Emma Kostopolus • April 9th, 2025 The history we record and maintain is a “fable agreed upon” written by the people in positions of power.
Mind Palaces Where in the World Is William of Baskerville? By Maddi Chilton • April 8th, 2025 Obsidian set themselves an interesting task in translating a story that’s legendary for being dense and obscure into an interactive medium.
When A Series Just Isn’t Into Itself Anymore By Elijah Beahm • April 4th, 2025 When is it time to try something radically different, or just start new?
Past Presence Let’s Do It Again, But This Time Better By Emily Price • April 4th, 2025 Can the Remake trilogy, vastly expanded as it is, be a “good” remake of FFVII?
The Book of Souls, Side A By Ed Coleman and Stu Horvath • April 4th, 2025 Iron Maiden’s first double album!
Rock’s Chosen Warriors Will Rule the Apocalypse: Trick or Treat (1986) on 4K By Orrin Grey • April 3rd, 2025 Rumor has it that both Gene Simmons and Blackie Lawless of W.A.S.P. were offered the role of Sammi Curr.
Run It Back 1981 By Oluwatayo Adewole • April 3rd, 2025 If art as a whole has a grand purpose, it is to push beyond the normal, to break the boundaries of what we believe is possible.
A Mirror Facing a Mirror: Power Sucker by Young Widows By Levi Rubeck • April 2nd, 2025 Edge, hunger, heat, grit, spit, the gnashing of teeth necessary.
Noise Complaint Growth By Ben Sailer • April 2nd, 2025 Here’s what I’ve been listening to and thinking on this month.
Exploits Feature The Animated Robots of 2024 By Van Dennis • April 1st, 2025 What’s suddenly relevant about cartoon robots right now?
