Unwinnable

two figures, their eyes whited out and the bottom of their faces obscured by solid opaque black face paint.

Mute: Sci-Fi is a Genre, Not a Setting

By David Shimomura • March 26th, 2018

The story of a man searching for his lost love in a city hostile to him is novel. But its not necessary to tell this story in the future and Jones does nothing to connect the futurey, robotic set dressings with the actual story.

Where the Water Tastes Like Wine Betrays the Heart of Storytelling

By Jeremy Signor • March 26th, 2018

Storytelling is dynamic. Where the Water Tastes Like Wine makes it feel static.

Dispatches from GDC 2018: Day Five

By Amanda Hudgins • March 23rd, 2018

Amanda goes to GDC with a press pass. This is Day 5 of her experience.

Feature

Don’t Go In the Woods

By Stu Horvath • March 23rd, 2018

Stu Horvath discusses the new horror film They Remain with director Philip Gelatt and author Laird Barron, who penned the story from which the film was adapted.

22 Years of Resident Evil

By Brock Wilbur • March 22nd, 2018

Resident Evil turns 22 years old today and it still doesn’t make a goddamned lick of sense.

red and gold text on a blue field that reads "Game Workers Unite!"

IGDA, Union-Busting and GDC 2018

By Michelle Ehrhardt • March 22nd, 2018

Former Kingdom of Amalur CEO shockingly comes out as anti-union at GDC

Dispatches from GDC 2018: Day Two

By Amanda Hudgins • March 21st, 2018

Amanda goes to GDC with a press pass. This is Day 2 of her experience.

Last Week's Comics

Last Week’s Comics 3/21/2018

By Ian Gonzales and Michael Edwards • March 21st, 2018

Team Unwinnable check back in with the X-Men and share their thoughts on Generation X # 87 and Old Man Logan # 36.

Excerpt

The Man of Many Ways

By Kate Gray • March 21st, 2018

Was it Mario who blinded the cyclops or Odysseus? I forget.

Polishing Up the Ol’ Dragonlance

By Levi Rubeck • March 21st, 2018

The War of Souls continues the Dragonlance series’ penchant for a willingness to let its characters fail—to be broken down completely while chasing meaningless power, given the chance for redemption, and convincing the reader when they stand or fall.

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