Hoofing It With The Cloven’s Garth Stein and Matthew Southworth By Elijah Beahm • May 30th, 2024 “Telling a story is all about a dialog between the presenter and the audience, right? The reader and the writer and and the readers trying to figure it out.”
Mind Palaces Booking It (Vol. 1) By Maddi Chilton • May 30th, 2024 Maddi sets out to read the International Booker Prize longlist, 13 books from around the world that were translated into English within the last year.
I Want to Make Love to a Bear: Sex, Society and Baldur’s Gate 3 By Adan Jerreat-Poole • May 29th, 2024 How might we reimagine our relationship to the environment – in our own context of climate change, deforestation, and mass extinctions – if we understood bear sex as a metaphor for falling in love with the natural world?
This Mortal Coyle The Gothic Writer from Game of Vampires By Deirdre Coyle • May 29th, 2024 Do I love this game, or do I hate it? Am I being a downer because of latent mobile game snobbery?
Run It Back 1966 By Oluwatayo Adewole • May 28th, 2024 Much like Isherwood, Capote’s writing relies on a gay fly-on-the-wall positioning.
Noise Complaint May 2024 By Ben Sailer • May 24th, 2024 There’s no reason to believe there’s some sort of age cutoff where your place on stage has to be replaced with a seat at the bar.
Funeral Rites Sailing the Ashen Sea with Tephrotic Nightmares By Maddi Chilton • May 23rd, 2024 The strongest character in the setting – the most vivid, the most realized, and the most overwhelming – is the Ashen Sea itself.
Feature Excerpt An Attempt Against Muscular Demonstrations of Power: Child of Light at Ten By Luis Aguasvivas • May 22nd, 2024 A decade after its release, the whimsy of Ubisoft Montreal’s Child of Light still twinkles.
A Duet of Anime and Jazz: An Interview with Director Yuzuru Tachikawa By Autumn Wright • May 21st, 2024 “My intent was to especially treat live performances like what would be done for an anime action scene.”
