When one thinks of the worlds of H.P. Lovecraft, especially one who is already familiar with his works, downtown Manhattan isn’t the first thing that springs to mind. Generally the 20th Century’s master of the weird tale causes people to think of long dead underwater cities, reeking chthonic tunnels and dark clusters of ancient forests. But, if you’re in the city, and are an intrepid investigator, you’ll have head down to Manhattan’s East Village. There you’ll mount the cracked and pitted stone stairs outside of 85 East 4th Street. Once inside you’ll sidle up to a ticket-booth, a glass partition
If NPR’s All Songs Considered is to be believed, 90’s nostalgia is now a “Thing.” That’s all well and good, but I think that when they talk about being nostalgic for the 90’s, most people are probably thinking about the mid-90’s, when a puritanical, authenticity-obsessed notion of coolness was in vogue for a few minutes. They tend to forget about the early 90’s, a pop culture epoch so corny it almost rivaled the variety show era of the 1970’s. It was the time of Club MTV, the puppet sitcom Dinosaurs, and Ugly Kid Joe. The Simpsons Sing the Blues was
What makes a horror movie good? You could say a lot of it has to do with plot, cinematography and direction. However, many of the iconic moments in classic horror movies are related to the music. At the heart of it, music is effective at evoking moods, and the mood of horror classics like The Exorcist, Halloween, or even Jaws would’ve been completely different were it not for Mike Oldfield, John Carpenter and John Williams.