Here Be Monsters Feeding the Cartoon Gators: Cult of the Lamb and Moral Disengagement By Emma Kostopolus • May 30th, 2025 Everybody has some angry, sad, anxious and ultimately violent shit they want to work out.
What’s A Gun For? By Wallace Truesdale • May 6th, 2025 Guns bring violence, and violence is frightfully unpredictable.
Funeral Rites No Magic, No Gods: Infinite Worlds & Infinite Horrors By Emma Kostopolus • April 29th, 2025 “Create stories. Create art. Create music. Anything and everything you create yourself has value and the more of it exists, the better off we all are.”
I Want More Historical Horror By J.M. Henson • April 9th, 2025 We cannot lose sight of the fact that our shared past is directly connected to our shared fears.
Rock’s Chosen Warriors Will Rule the Apocalypse: Trick or Treat (1986) on 4K By Orrin Grey • April 3rd, 2025 Rumor has it that both Gene Simmons and Blackie Lawless of W.A.S.P. were offered the role of Sammi Curr.
A Very Twisted Kingdom: The Cell (2000) Twenty-Five Years Later By Orrin Grey • February 3rd, 2025 Is there anything under all the artistic lifting and stylistic indulgences?
Into the Unknown: An Audio Drama Journey Through the Self and The Tower By Kevin Capon Goldszmidt • December 20th, 2024 You and I might listen to the same show, but we’ll imagine things a little differently.
I Want to Ask Your Forgiveness for What I Will Inflict on You: Red Rooms (2023) and the Abjection of Obsession By Orrin Grey • November 26th, 2024 How much difference is there, after all, between watching a murder take place, and reconstructing that same murder through your favorite true crime series, book, or podcast?
Maybe They Should Save Themselves: Maxxxine (2024) as Middle Finger By Orrin Grey • November 6th, 2024 I think that Maxxxine really believes that it has something to say in all those theme-heavy monologues
Personal Items Work Best: Oddity (2024) By Orrin Grey • October 31st, 2024 Oddity is an extremely slow burn, though it keeps elements of eeriness and dread close at hand.
