Game of Thrones hemorrhages more characters in a single episode than most other series do in multiple seasons. No one is safe from George R.R. Martin’s bloodlust – the best most characters can hope for is a quick beheading or short trip out of the Moon Door. Without all those deaths, however, the number of new characters introduced in each book would quickly bloat the series, resulting in Martin’s publishing schedule going from “once every decade, maybe” to “when the sun rises in the west and sets in the east, when the seas go dry and mountains blow in the
Yes, Cersei’s decisions are usually ill-conceived and ineffective. Yes, she is selfish and prideful and vindictive. Yes, she is consistently depicted as one of the show’s main antagonists. That doesn’t change the realities of the political landscape Cersei occupies, or the misogyny that consistently tries to disempower her.
Even as The Lone Ranger and Man of Steel shook our faith in popcorn movies to the very core, there was sanctuary on our living room couches in what’s turning into the golden age of television. As Walter White’s life imploded, or as Don Draper broke his daughter’s heart, or as the Stark lineage shrank before our very eyes, our favorite characters’ misery gave us unprecedented joy in 2013. But it wasn’t all darkness and heartache: there was the triumphant return of Arrested Development and Eastbound and Down and plenty of laughs with goofy new kid on the block, Brooklyn