To put UN EP to the musical test, Unwinnable’s resident sound engineer Ken Lucas used the game to create sounds which he then remixed into songs. The result is a strange, ambient but unpredictable soundscape that lulls and shocks the listener in turn.
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These eight production images provide a kind of visual genetic history of UN EP. In Snyder’s words:
These various screenshots are of projects that led up to the five featured in UN EP. The relation here is more a familial than a temporal one. Some of these eventually became ideas that were recycled in UN EP, but all of them went nowhere for certain.